"First," spoke Dean, "you have the conventional approach. That is to say turning Kamill--"
It was Natalie who interrupted: "But why can't we tie him up before starting with any of this? I'm sorry, Dean. But the cavalier approach is making me uncomfortable. How can we be serious about this is he's free to do whatever he wants?"
Before I go on I should say that Kamill was in the bathroom that communicated with the reading room. He was not under guard, but the bathroom had no window, and the only way in or out was through our midst. Bernal had been the one originally opposed to fettering Kamill, calling it "barbaridad en teorĂa, barbaridad de hecho." Kamill, for his part, had settled into a hangdog passivity, having assured us of his growing contrition and intention to stay put and face up to the consequences of his crime.
Natalie continued: "I don't understand why he's walking around freely in there. Look what he's done already. Hardly one of you escaped injury. He's dangerous, and I don't think we should be so sure he won't hurt someone again. Wouldn't you want to escape if you were in his position?"
"But dear Natalie, the man already made it very clear that he wants to face the music." It was Nelson, who that day was wearing a tan herringbone suit in twill. Double-breasted, the jacket had a half-Norfolk back and double side vents. Lapels narrow unto vanishing, cuffed and pleated trousers, and a lavender shirt in poplin from whose neck there issued a slim red cravat that dangled over the assemblage like a fully articulated tongue. "The eruption is over," he said. "He's calmed down now."
"Don't you dear Natalie me, Nelson Leffingwell. You say he's calmed down and wants to make good and all that, but wouldn't he be acting in exactly that way if he wanted to lull us into letting down our guard so that he can escape, possibly hurting anyone who tries to stop him? Isn't that how you might play it? I think, and I'll say it again and again if I have to, I think that if we're serious about this discussion and about staying in control of this situation, the man should be restrained. Or is the whole idea to leave the door open for him escape so we can forget about it? To hope that he escapes so that we can wash our hands of it and pretend like nothing happened as Vanessa's lifelong disfigurement goes unpunished? What kind of justice is that? A roll of the dice?"
There were murmurs of agreement, and it was decided that Kamill would be fettered. And since there was no suitable rope to hand, Nelson ended up by volunteering a silk tie from his own wardrobe for the job. When we swung open the door to the little bathroom, Kamill was seated on the toilet with his hands ready for the shackling. Dean wound the silk tie around Kamill's almost simian wrists and tied it off tightly--very tightly in fact--with a mariner's expertise. He eyed his work with a look of uncertainty and wondered aloud whether it would hold. Nelson responded by yanking off the little red tie he was wearing and handing it to Dean with a courtly flourish. "Once again," he said, and not without a hint of resignation, "the noble cravat demonstrates it dynamism. Who said it wasn't cut out for shifting as a fetter?" Dean took this rather dainty piece of wool in his hand and used it to further manacle our violent offender. Kamill winced at the pressure but said nothing. Natalie was about to say something, but Dean brushed by her and returned to the head of the little conference table.
Now I was the last to leave the little bathroom. On my out out I took a toothbrush from a mug and used it to jimmy the knot looser for him, if only by a little bit. Still effective, I thought, though not piercing. He nodded a quiet thanks. Next I opened the mirror caddy, swung the shelf assembly out on its hinge, and depressed the panel hidden behind it. This panel folded down on pneumatic hinges with a pleasant languidness to reveal an improbable rebate. In here was a tray on rails that pulled out to rest on the articulated panel, and on this tray was Uncle Cheesegrave's secret liquor service: Crystal, fine stainless steel, and a variety of ethereal spirits in a small format. Saying nothing, I poured out a healthy measure of bourbon and set the glass in Kamill's fettered grip. I then thought better of it and poured Kamill a new measure into a disposable gargling cup, keeping the crystal for myself. Kamill nodded slightly, and I left.
Behind Dean at the head of the table was a large fireplace that we used to heat that wing of the house in the winter. Above the high pedimented mantel hung a large painting of a football referee done entirely in shades of gray that Natalie had bought for Nelson at an art exhibit put on earlier that year at the university's arts faculty. The stripe-clad man it portrayed filled almost the entire canvas. In it, he was frozen in the act of raising his whistle--the symbol of his authority--from his hip to his lip, presumably to blow dead a play that we could not see. The referee's face--I remember it well--was turned slightly to the left, and there was sweat beaded on his upper lip and brow. All very realistic, with the exception of the beard, which referees never wear. But the notable thing, the thing that for me made it a remarkable painting rather than the poppy piece of kitsch it was very close to being, was the subtle but radical doubt that could be read in the referee's face. Very vague, very nuanced, but the signs were there. The disbelief tugging gently at the corners of the mouth, the glint of incomprehension in the eyes, the shadow of perplexity furrowing the brow, slight unto vanishing. The effect of these touches was impressed on me more and more over time, so much so that I have become convinced that rather than portraying the referee straightforwardly in the act of raising whistle to lips to blow the play dead, the painting was in fact an attempt, masterfully executed, to portray the referee not merely in the act of carrying out his judicial offices, but in the very instant of dawning doubt: When the doubt lays hold of him, clouds the certainty of his judgment, and puts the brake on the whistle's passage from hip to lip. The set of his shoulder and triceps, I was convinced, betrayed a lifting motion in a state of arrest. Supposing that the portrait were excerpted from a live sequence, from a television freeze frame, this was the one, the one freighted with the cargo of pathos and humanity that make the vessels that carry them worthy of artistic study. A portrait based on the preceding or subsequent frames, I liked to think, would have shown nothing but a man going through what was ultimately a banal and bureaucratic motion.
Dean looked at us from under the painting. "So. Now that Kamill is no longer a flight risk we can get down to it. The question is what we should do with him. Many of us have some idea of what we think should be done, but in order to proceed as a collective we have to discuss the options. What are they?"
"We could turn him in, of course." It was Nelson. I noticed he had a pocket square deftly folded into an Astaire. A large bottle of home-brewed beer occupied the oaken expanse in front of him.
"Yes, most obviously," said Dean. "We could turn him in. What arguments can you offer in favor?"
Nelson drew briefly on the bottle before putting it down with a chuckle. "What arguments do I offer? None. What arguments could I offer in favor of the conventional course of action? First of all, that it's conventional. Hell, I think it's required by John S. Law. It would be the low-energy alternative that may or may not tend toward our preservation. And hey, by the way, you guys should feel free to knock back some of this porter. It's a Tadcaster, the offspring of the pairing between me and a miracle. There you go, Jameson. Go right ahead." Jameson's spindly hand trembled as he reached for the bottle. Ever true to form, he was also muttering something to himself. "Then again," he continued, "getting John S. Law involved might be the seed of our undoing."
"Explain," said Dean. "I mean, I think we all have some idea of what you mean. But tell us what you've got in mind. For completeness' sake."
Nelson's expression embraced incomprehension, agitation and good humor in the span of a second, settling on the latter as he began laying the groundwork of our debate. "You know," he said, "it's pretty black and white. Mr. John S. has it in for us and will not squander this delightful opportunity to tar us, hound us, disband us, and jail us if they can. John S. Media, too. Can't you see the headlines before your eyes? Hippie House Gang Rapes, Disfigures Woman. Or the articles in the news magazines? Dark Deeds: The Terrible Truth behind the Throop Street Commune. And let's not forget the nightly news Breaking News: House of Anti-American Subversives Raided. Film at 11. You get the point. It'll be a fucking feeding frenzy. If we turn Kamill in, our house might just be the springboard that launches the next parasite DA and his bevy of adoring John S. Media hacks to national prominence. If we're really serious about turning him in, we might as well just disband now and scatter ourselves to the four winds. I think you all know as well as I do that Johnny S. will not be satisfied by serving justice only to Kamill, whatever that means. Justice of the torture chamber, more like."
"John S. this, John S. that. Why the S.?" asked Dean.
"S. for shithead. John Shithead Law."
The explanation earned Nelson looks of appreciation from everyone but Bernal, who remained confused, asking: "But who is this man Law in the first place who you all know his first name but his middle name is news?"
Dean laughed and gave Bernal a kindly slap on the back. "Shit, Bernal. It just means the police, the courts, the prisons, everything. We just wrap it all up in one nice personified package so we can pretend to understand it, to make it less terrible."
"But still terrible enough for me. Yon Low," said Bernal, rolling the words off his Mexican tongue. "Yon Sheethead Low."
"That's right." It was Jameson, whose words had a liaised, slurrid quality. "He's a huge man in big black shitkicking boots and eyes like dead coals that feel no mercy. He's coming straight for us, too. And here we are talking about coming to him, about making his job easier. Like we were running late to an appointment with our own destruction. As if we were ticketholders to that event, and the staging of our destruction held some aesthetic pleasure. But guess what? Once you become ensnared in the Law, there is no turning back. Ever. The slightest encounter with it will suffice to destroy you, and you cannot perish twice. Say," he said, turning to face Nelson with a jagged, lacerating smile, "you got any more of this good working-class stuff?"
"Sure, buddy. You know where I keep it. Help yourself. And hey, Bernal, he's right on the money about John S. Law. He's a huge white man in black boots with eyes like dead coals who feels no pain and knows no love and will never heed your orison and will never die. And if we turn in Kamill...if we engage that machinery, he'll head straight for us and will never rest until he has destroyed us utterly."
"I don't know." It was Natalie. "I mean isn't that a bit too grim? We don't have anything to hide as far as I can tell--" [here she looked askance at Jameson] "--so what is to prevent the police and the courts from just doing their jobs and putting away Kamill so all of us can move on? [[deriving enjoyment from various forms of torture is an unwritten part of all the state's employment functions]] And what the hell is the alternative anyway?"
"That's a good question," said Dean, "and I'm glad you asked it. But let's just finish talking about the conventional approach before we get to it. We need to be thorough. This is important--and we need to be thorough. Who among you believes that remanding this matter to the police would necessarily destroy our household, and even our lives?"
Everyone but Natalie ventured a hand into that charged air, with Dean abstaining. "That's a majority," he said, "even if you include those not present. So there's that. But really that is the least of what we should be discussing now. It's secondary, and it's selfish. What we should be discussing here is how best to serve justice, specifically with respect to Kamill and Vanessa. It's about them, not about us."
"But it's the law that if you harbor a--" It was Natalie again, but Dean cut her off: "And this sure as shit isn't about the law. I think all of us here recognize the existence of universal ideals of justice and truth. I also think, very seriously, that we ourselves are more capable of serving those ideals than the courts. I would argue that in a society such as ours, whose structure is predicated on oppression, exploitation, and torture, the state is incapable of dispensing justice, and is doomed instead to eternal travesty, inscribed into the mangled bodies of its victims as the charnel house courts forever conduct their obscene carnival. But all of this deserves a lot of groundwork, a lot of democratic discussion, and I shouldn't make the mistake of saying that anything is self-evident, no matter how much I believe it. In fact, I think we should all be deeply suspicious of there being some fishy business afoot whenever anyone uses language like that, whenever things are made to seem 'self-evident' or when they 'speak for themselves' or when things are 'naturally' the way that the speaker sees them and none other. No, I will not sit here and hold forth in the service of lies. We need to talk about whether justice would be served if we turned Kamill in. And it is not enough to raise your hands and say yes or no or maybe. We need to talk about what justice is and whether this course of action is commensurate with our conception of it. So here is what I propose. That we take a moment to run a thought experiment. How would we conceive of justice for Kamill, and by extension for for Vanessa, in a vacuum? I mean if we were not surrounded on all sides by this justice machine that churns out crimes and investigations and verdicts and sentences. In other words, what do we believe Kamill deserves, and what are the chances that he would get that from the courts and the jails? Can we agree to ponder this for a moment?"
A ripple of affirmative nods and murmurs stirred the room. I poured myself a glass of Nelson's porter